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Elyanna faces backlash over prison visuals in ‘BOSA’ music video

Viewers question Palestinian-Chilean singer's decision to use jail as backdrop amid grim reality of Palestinian women in Israeli detention
Elyanna features in a scene from her “BOSA” music video, which has drawn criticism over its use of prison imagery (Screenshot/YouTube)
Elyanna features in a scene from her “BOSA” music video, which has drawn criticism over its use of prison imagery (Screenshot/YouTube)

Palestinian singer Elyanna has drawn criticism over her latest music video, with viewers questioning the decision to set the lively and playful clip in a jail while Palestinian women face widespread abuse in Israeli prisons.

Released on 4 September, BOSA opens with Elyanna behind metal bars. The video then moves through a stone prison-like compound, where she and a group of female dancers perform in courtyards and around barred windows. Throughout the song Elyanna is inviting the listener to “give [her] a kiss, kiss".

The women eventually walk out of the compound. Speaking to Complex MENA, Elyanna said: “With BOSA, I invite women to be loud about their femininity, desire, confidence, and freedom.”

But for some viewers, the prison setting was difficult to separate from the reality of Palestinians in Israeli detention.

“Wtf why is this set in a prison?” one commenter wrote under a promotional clip of the video.

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Another asked whether “no one on the team” had considered that the concept might be “distasteful”.

Some also critcised the dancing and accused Elyanna of “self-orientalism”, arguing that Palestinian, Arab and South Asian motifs and dancing were purposefully transformed into “exotic” visual aesthetics that cater to the western gaze.

“Honestly as a Palestinian. this isn’t it,” another viewer wrote.

The reaction has also played out on X, where users have questioned the decision to turn a jail into the backdrop for a stylised music video.

This so beyond tone deaf *especially* in this climate, posted one user. Our women are burying their kids, getting kidnapped, jailed and sexually abused by the iof [Israeli Occupation Forces, Israeli army] every single day. and "عطيني بوسة" [give me a kiss] at the men who locked her up… the orientalist gaze… yeah this is NOT it.

The response comes as Palestinian women and girls continue to face abuse in Israeli prisons.

Harsh prison conditions

Nearly 100 female Palestinian prisoners are currently held in Israeli detention, according to Palestinian organisations, including pregnant women and teenage girls.

Former detainees and rights groups have described conditions including inadequate food, restrictions on hygiene and medical care, strip searches and other forms of abuse.

And the issue was particularly visible in the days before BOSA was released.

Israel’s far-right National Security Minister Itamar Ben Gvir filmed himself on 30 August at Damon Prison, where dozens of female Palestinian prisoners are held. 

After a prisoner complains about the harsh conditions, including a lack of proper showers, Ben Gvir says: “I am pleased with these conditions.”

On social media, he described the issues raised by the Palestinian woman as “whining”, saying the days of “summer camp” in Israeli prisons were over, and boasted that he was responsible for reducing conditions to what he called the “bare minimum”.

For critics of BOSA, the timing of the music video made that contrast particularly stark: as Palestinian women were being filmed inside Damon, describing the conditions of their detention, BOSA presented a group of women dancing inside a prison before walking free.

But not everyone agreed with the backlash against the music video, with some viewers accusing critics of reading too much into it.

“Y'all are weird for getting mad at her clothes, lyrics, dancing and literally everything,” one person wrote on TikTok, arguing that Elyanna should be allowed to make “a fun song about love”.

Others rejected the label altogether. “Orientalist? she is oriental,” another user commented.

Elyanna herself appeared to dismiss accusations of orientalism, replying “give me 💋💋💋 in Arabic under a video critiquing her clip.

@yannafanclub and i don't even understand how an arabic-latin song is "westernized" for you are we deadass?? 😭😭 #elyanna #popculture #arabicpop ♬ original sound - yanna fan club

Others pointed to Elyanna’s history of publicly supporting Palestine.

“No, never forget it was elyanna the FIRST palestinian artist to take the coachella stage with a full set in arabic shouting ‘free palestine’ and waving her keffiyeh!” one supporter wrote.

Another stated that her background should be taken into account: “Elyanna was born and raised in Palestine to a Palestinian mother and Palestinian Chilean father just say you hate the song and move on no need to write a think piece invalidating her whole identity and roots.”

Middle East Eye reached out to Elyanna and her management, SALXCO, for comment, but did not receive a response by the time of publication. 

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